Salsa Dancing – Understanding the Different Styles
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Salsa Dancing – Understanding the Different Styles
1: L.A. Style LA style salsa LA style salsa has been developed in Los Angeles by the Vazquez people. It is a very linear dance that incorporates the contemporary mambo foundations (forward and backward movements) with a variation of the men breaking forward on count '1'. This dance style is famous for its flashy moves and the dramatic movements made with an large use of variations of dips, drops and tricks that are performed by guys. The majority of the moves within this dance form come from cross body leads and footwork patterns. For more detail please visit:- https://capquangvnpt24h.com/ piano điện kawai This makes for a complex set of quick and jazzy footwork steps. The LA style involves a range of forms of dancing, including the hip-hop and jazz. This makes it very difficult for dancers to do, but makes a feast to the eyes of people watching it. It's very similar with the New York style of salsa and this is what explains their varied repertoire of dance moves however they do have differences in their approach to the ebb, the design and dance style. If we take a careful examine their method of dancing from a window, we can easily discern the distinctions in their dance forms. There is a New York style of salsa is characterized by a more sophisticated and refined appearance and feel for the dance while the LA style of salsa dancing requires dancers to give an incredible display of explosive tricks which are sure to grab attention within a second. The way they perform their moves is highly crisp and sharp with an enthralling appeal. The distinctive characteristic of the LA type of Salsa is its pursuit of making the most difficult choreography in the dance, and the outstanding amount of power the dancers show in their performance on stage. 2. New York Style The LA Style and New York style of Salsa are closely related to one another since they share Mambo basics and are both linear in execution. But unlike its counterpart which is the New York style, it is the New York kind of Salsa is renowned for being danced on the second beat of music, also known as 'on 2 however there are numerous New Yorkers who still dance on 1. This form of Salsa is renowned for its more comfortable and elegant method of dancing. This includes cross-body turning patterns and an elaborate set of foot-work which are recognized for being effortless and well-controlled. These with some complicated technical moves, make the dance look more refined as well as graceful and flowing. The manner of dancing is that dancers are required to keep their places and avoid moving around the entire dance floor with many spins and styling. It is a New York type of Salsa places more emphasis on dance performance that will shine out from others, including their companions. There are situations where dancers will separate from their partner and dance alone for a period of time. There are two kinds of variations of new York type of salsa that are called that of Contemporary Mambo (or the Eddie Torres Style) and the Palladium style. This Eddie Torres style of new York Salsa was popularized by Eddie Torres who is also often referred to as the "Mambo King". The dance style is recognized for its continuous and smooth body movements and shifting of the feet at non-weight changing counts of '4' and '8'. Different from those who dance in the Eddie Torres Style, the Palladium style of Salsa is more similar to the Mambo style in the 1950's, where the non-weight-changing occurs at the counts of '1' and '5'. The small difference in counts may not mean significant to you, but can drastically change the look and feel of someone dancing Salsa. This New York style tends to include a variety of variations when compared to other styles of dancing, both in its definitions and explanations of basic steps. As this type of dancing is extremely compact it requires less space than other types of dancing. This makes it a perfect style for dancing on busy dance floors. 3: Cuban Style A Cuban way of Salsa which is also referred to as the Casino style, is derived from Cuba. Many Cubans consider casino to be an element of their culture and social lifestyle, thus making dancing casinos an expression of their culture of social acceptance. They've dedicated a lot of popular music to the Cuban Style Salsa. The term Casino is derived in the form of dance halls "Casino Deportivos", where the white Cubans were able to gather and dance during the mid 20th centuries. The Casino originated from the dance partner of Cuban Son, which has been fused with partner figures and turns of The North American Jive. Casino style Salsa Casino style Salsa is distinguished by Afro Cuban style body movements which rely on the entire body in isolation, and frequently hip moves. The hip movements are highly apparent due to the heavy pumping of the knees. The Cuban style Salsa does not feature many fast spins and mainly relies on its circular motions of the dancers around one another. They tend to have very basic footwork, however they have a highly complex arm work which requires the dancers to be extremely flexible in their arms. With a lot of similarities to Son, Danzon and the Cha Cha Cha, the Cuban style of Salsa is usually danced in the form of it is a "Contratiempo". In this style of dancing it is the case that the 1st and 5th beats in the clave pattern are not considered however the 8th and 4th beats are prominently highlighted while dancing. In this manner, dancers don't have to follow to beats, but could have their own distinct part in the dance, utilizing the polyrhythmic rhythm of the music. The dance's essence comes in no way from the mechanical method that could learn in classes rather from the knowledge and utilization of Afro-Cuban culture as well as the vocabulary that the casino dance. Similar to the way the singer will quote other songs in their own music the Casino dancer is often able to incorporate different dances, movements that are accompanied by gestures, folklore passages and other folklore phrases and attempt to make their own improvised versions of the original dances. The dancers at the Casino try to make up their own tunes by adding excerpts from dances of African deities and the Rumba as well as other popular dances such as the Danzon and the Cha Cha Cha. 4: Rueda de Casino During the 1950's, a group dance, performed by Guaracheros de Regla, dubbed Rueda de Casino, or Casino Rueda, or simply known as Rueda was very popular within Havana, Cuba. Its name is a reference to the form of dancing that is involved, which involves the intricate moves and turns associated with dancing. In this dance, several couples dance in a circle, and a dancer who is designated as the caller, executes hand movements, signalling which moves to be executed, and the appropriate move is performed by all couples simultaneously. The dancing couples move around in a circle with leaders rapidly swapping partners and performing numerous complex movements, all set to beats of the salsa music. Every move has a specific name and is communicated to the dancing couples with hand signals from the person calling. Sometimes, the calls are repeated in rapid succession, creating a very dynamic environment for dancers to perform. One of the most noteworthy features of the Rueda de Casino form of Salsa is that it can accommodate as many dancers as possible that can be accommodated in the space. It can be performed by two couples or multiple tens of couples. Sometimes, the dancers create multiple number of circular dances to dance in. It is the Rueda de Casino version of Salsa brings a new definition of Group Dynamics. It creates a unique level of awareness and understanding among dancers. This is necessary to make the dance group look stylish and flow smoothly and be fun for the dancers as well as the spectators. The dancers are required to expand their vision to observe what other dancers are doing and perform accordingly. This way, dancers are able to collaborate with other dancers in perfect timing and style to make Rueda de Casino Rueda de Casino work. This form of dancing also involves switching partners, which is very tricky to perform, but makes it thrilling to witness. One of the advantages of studying La Rueda de Casino, is that the movements learned in Rueda are also able to be executed by a single partner making it a part of the dancer's repertoire of various moves.

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